By John Dominic Crossan and Sarah Sexton Crossan, Harper Collins, 2018.
Biblical scholars John Dominic Crossan and the late Marcus Borg conducted pilgrimages over the years to Italy and Turkey, two of which I was fortunate to attend.
We learnt that all the major events in Christ’s life are described in the Gospels but no direct reports of the bodily resurrection of Jesus. Instead, many artistic impressions of Jesus’ resurrection were created, some we visited in churches, caves and museums.
The first direct image appears by 400 and is part of the West’s individual resurrection tradition. The second direct image by the year 700 is part of the East’s universal resurrection tradition named the Anastasis, Greek for resurrection.
For 15 years Dominic and Sarah Crossan travelled across Europe and Asia creating a comprehensive photographic archive of this resurrection imagery. How timely when this book with Sarah’s images, the ancient texts which inspired them and Dominic’s scholarly interpretation arrived for Easter.
The cover image of their book is from the 1300s Chora Church in Istanbul, where we gazed at this beautiful Anastasis mosaic high in the half dome of the apse of the risen Christ, enveloped by a star studded mandorla, grasping the wrists of Adam and Eve, the personification of humankind. Christ pulls them from their tombs while standing firmly on the shattered gates of hell with lock and bolts strewn around his feet. Christ is trampling down a well-trussed Hades, guardian and personification of death, who is lying prone beneath his feet.